BeaconLit, a literary festival in Buckinghamshire, was launched in 2013. This year (July 13, 2019) is the seventh festival. People keep coming back, to be inspired, informed and to enjoy the beautiful mystery of what happens when you turn a page (in books both physical and virtual). http://www.beaconlit.co.uk
Authors and moderators this summer include Quentin Bates, a British author writing Scandi Noir and actor Robert Daws, in conversation with Adina Campbell, the BBC’s Community Affairs Correspondent, and a valued friend of the festival.
This is an update of an article I wrote in 2013. All photos by the writer.
BeaconLit is an annual literature festival held in Ivinghoe, an ancient Buckinghamshire village on the edge of the Chilterns.
Despite being quite close to London, well under an hour by train, this was hardly the obvious and ideal place in which to start a book festival, but then neither was Hay-on-Wye. Originally it did not even have a venue big enough for the usual range of sessions and workshops.
It is easier to launch cultural events that become annual fixtures in the calendar in cities and bigger towns, where there are enough businesses and prominent people to lend their support. Smaller towns and villages must work harder, and here it usually depends on the inspiration, ambition and drive of an individual, or small group of committed people.
So it was with BeaconLit, founded by indefatigable local author Dave Sivers, a veteran of the book festival circuit. He knew how they worked and believed he could do the same on his doorstep.
Many in the small but appreciative audience that attended the inaugural event on a wet midsummer Saturday would have been happy simply to see it repeated the following year, and then survive and prosper. Realists hoped for nothing more, in those tough days of austerity and restraint ( 2013).
There were just two sessions in the inaugural event, a morning in a borrowed space in a marquee set up for the village ball later that day. Murder and Mayhem explored the dark world of crime and thrillers; Pain and Passion looked at the tearful truth about romantic fiction. And a writing workshop was billed as a possible first step in a flourishing writing career.
After that uncertain start the festival now has a settled location (the village school), a loyal following and an impressive annual roster of authors, including West End Theatre and TV actors, and moderators. It is promoted in the local community library (a prime mover in the festival), through fliers in surrounding towns and a busy social media publicity campaign.
Initial support from the Arts Council England and local councils has fallen away; in its place the organisers have managed to win sponsorship from local businesses and at least one retailing giant (Tesco). There has been consistent support for the festival from Adina Campbell, now the BBC’s Community Affairs Correspondent. She has chaired sessions for a number of years since first becoming acquainted with the event during her time at BBC Oxford where she reported and presented on South Today.
The authors were there to promote and sell their books, as they are at bigger literary festivals. But at this more intimate event, authors are not snatched away by their PR people the minute they leave the platform, so that the public can only engage with them if they queued to buy their books. At BeaconLit it is good to see writers engage with audience members, a good number of whom, I suspect, are would-be writers.
Ivinghoe, for those who want a break from over-culturally-provisioned London, is hardly remote, 36 minutes from Euston Station by the fastest train (to Tring Station), then a 7 minute drive. That might appeal to the metropolitan supporters of, say, Hay, who face a long journey deep into the country for their annual fix.
Ivinghoe has the added bonus of a distinguished restaurant (The King’s Head) just up the road, a 300 year old pub (Rose and Crown), and a cafe (The Hub). One of the best surviving windmills in England is in adjoining Pitstone; there is a canal walk (Grand Union), a nature reserve (BBOWT’s College Lake), and the wide open Chilterns only a mile away (the National Trust’s Ashridge estate).
Might BeaconLit, in time, turn into something bigger? The organisers would probably settle for modest but sustained growth, considering how much competition there is from other, nearby events. Yet festival fame has arrived randomly, and accidentally in small places. Without ambition, vision and determination to see it endure, Hay would still be just one among hundreds of gorgeous small tourist towns on a river, with nothing much to set it apart (although it would be worth a visit for the Francis KIlvert associations).
It’s the same for Glastonbury. That strange and startling hill, semi-sacred in some people’s eyes, has its own pulling power, but you’d find similar camping fields with a tendency to turn to quagmire all over England. And any number of stately homes know that, given the break, they could have hosted a music festival just as compelling as WOMAD, World of Music, Arts and Dance. So pose the question again in ten years time.
This is a brief guide to the participants and sessions in 2019.
Jane Wenham-Jones introduces new talents: West Camel, Noelle Holten and Fiona Vigo Marshall.
Quentin Bates, one of the few British authors writing Scandi Noir set in Iceland, in conversation with Dave Sivers.
What Makes a Book Tick?
Jane Wenham-Jones, author of the Wannabe a Writer series, and Morgen Bailey, writer, editor and podcaster give their insight into the book industry, with an Q&A session.
The Crime Panel
Four authors who kill people for a living. Writer Alison Bruce moderates as AB Morgan, Leigh Russell and Dave Sivers discuss their grisly trade.
Robert Daws in Conversation with Adina Campbell.
Daws is an actor on the West End Stage and TV, most recently, as Dr Thomas Choake in Poldark. Adina Campbell is the BBC’s Community Affairs Correspondent.
The final session is Indie Opportunities. Jane Davis, Lesley Lodge and Georgia Twynham talk discuss the challenges of going it alone, with author and editor Morgen Bailey in the chair.